[acornlive] submissions

Christopher Neenan (acornlive@dublinwriters.org)
Sun, 26 Mar 2000 15:53:35 +0200

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Walking to Fort Camden

Wind shakes the leaves. They=20

move with the sea's restless

shiver. This is deep in us.

We feel it running along

the waves pulse, ruffling

like the tug in these lines.

Fort Camden has the sound

of herring gulls and waders

through the elmwood where

branches bear the heave of

bracken. I am making land

that never changes. Of this

be sure. Chained in the hill's

grass a corncrake crackles

his center of the world. Now

we know eternity and we

can walk. Miles and miles

to the save harbour. We have=20

a long rememberance,

yours and mine. Stride out,

keep pace and hope we will

be there before the night falls.

I will show you stepping

stones ringed by black water,

old sounds along the path, an

old gift of poetry caught up in

reeds, streams, boglands,

broken walls of blackberry.

Quarrel with me like sparrows

in the yellow gorse. Or climb

down to the estuary alone. Stare

at the estuary birds and come

back with their voice 'Turly,

turly, turly'. You know

how much I love this walk and

the anxious waiting at the end.







Morning Return

Will someone not know how

to say just one thing

- words have come in alone=20

long before we invented them -=20

that is both beautiful and true=20

and something be lost if I do

not write you this. Remember=20

words are not a minute's show,

more like when the wind drops,=20

the trees straighten up,=20

the sky clears, and water=20

carries home the late boats.=20

Like when we friends wait=20

to wave them in. Seagulls=20

catch behind the early=20

trawlers fish thrown=20

back to sea, waiting all=20

night on the quayside.

Not that this is about=20

saying something new=20

but getting so there is

craft between us and we=20

see each as we can because=20

we cannot see each as we=20

would. We wait for morning

and hear the recitation

and response of incoming=20

tide, small feelings it has=20

invented for the great sea,

that we have not the=20

words for, words we=20

are delighted with.=20

Either way we lose=20

things and fly back to=20

the boats' compassion.=20

Every word is a new=20

longing for harbours to come=20

back to. Like ancient ships,=20

ancient stories. Let's gather

what only we can use and

leave to the flocks what flocks=20

fight for. What is ours is only

what we cannot do without,

that greater gift to give

people forever like a steady


wind to sway them=20

and that higher gift to move

and meet, two only

still longing after night.

No place is safe as harbours.



Tristia

Ovid from Crosshaven

Sun-light evening, a chair out front

overlooking Crosshaven harbour,

clustered yachts and seagulls on a

bookcase sailing Ovid's scarlet

leather tears, final touches to a room.

Another boat and baskets filled with

postcards. This house, this place built

for summer and steep stairs to climb.

Pay the boatman. Make a list of guests=20

expected tomorrow. They won't be down

today. Tomorrow I will meet the boat and

show them over my house. Today I rock

the chair out front and wait. I have a white

hat and white coat and walking stick and I

can make it to the wharf and back. I was=20

indicted but of what exactly? I don't know.

My books need dusting and my

words. How all goes rusty near

the sea, the mind, the memory, names,

plain English, plain feelings, places!


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Walking to Fort=20 Camden

Wind shakes the leaves. They

move with the sea’s restless

shiver. This is deep in us.

We feel it running along

the waves pulse, ruffling

like the tug in these lines.

Fort Camden has the sound

of herring gulls and waders

through the elmwood where

branches bear the heave of

bracken. I am making land

that never changes. Of this

be sure. Chained in the hill’s

grass a corncrake crackles

his center of the world. Now

we know eternity and we

can walk. Miles and miles

to the save harbour. We have

a long rememberance,

yours and mine. Stride out,

keep pace and hope we will

be there before the night falls.

I will show you stepping

stones ringed by black water,

old sounds along the path, an

old gift of poetry caught up in

reeds, streams, boglands,

broken walls of blackberry.

Quarrel with me like sparrows

in the yellow gorse. Or climb

down to the estuary alone. Stare

at the estuary birds and come

back with their voice ‘Turly,

turly, turly’. You know

how much I love this walk and

the anxious waiting at the end.

 

 

 

Morning=20 Return

Will someone not know how

to say just one thing

- words have come in alone

long before we invented them -

that is both beautiful and true

and something be lost if I do

not write you this. Remember

words are not a minute’s show,

more like when the wind drops,

the trees straighten up,

the sky clears, and water

carries home the late boats.

Like when we friends wait

to wave them in. Seagulls

catch behind the early

trawlers fish thrown

back to sea, waiting all

night on the quayside.

Not that this is about

saying something new

but getting so there is

craft between us and we

see each as we can because

we cannot see each as we

would. We wait for morning

and hear the recitation

and response of incoming

tide, small feelings it has

invented for the great sea,

that we have not the

words for, words we

are delighted with.

Either way we lose

things and fly back to

the boats’ compassion.

Every word is a new

longing for harbours to come

back to. Like ancient ships,

ancient stories. Let’s gather

what only we can use and

leave to the flocks what flocks

fight for. What is ours is only

what we cannot do without,

that greater gift to give

people forever like a steady

wind to sway them

and that higher gift to move

and meet, two only

still longing after night.

No place is safe as harbours.

 

Tristia<= /A>

Ovid from Crosshaven

Sun-light evening, a chair out front

overlooking Crosshaven harbour,

clustered yachts and seagulls on a

bookcase sailing Ovid’s scarlet

leather tears, final touches to a room.

Another boat and baskets filled with

postcards. This house, this place built

for summer and steep stairs to climb.

Pay the boatman. Make a list of guests

expected tomorrow. They won’t be down

today. Tomorrow I will meet the boat and

show them over my house. Today I rock

the chair out front and wait. I have a white

hat and white coat and walking stick and I

can make it to the wharf and back. I was

indicted but of what exactly? I don’t know.

My books need dusting and my

words. How all goes rusty near

the sea, the mind, the memory, names,

plain English, plain feelings, places!

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